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「筆墨行旅」動畫影片

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本片以唐代〈明皇幸蜀圖〉、北宋〈谿山行旅圖〉、南宋〈巖關古寺〉及元代〈鵲華秋色圖〉四幅院藏國寶畫作選件,呈現中國山水畫講求可行、可望、可遊、可居之意境,並演繹出山水畫的歷代風格演變。

開場的飛鳥所銜的小石頭,象徵中國山水畫家擅用的石青、石綠礦物性顏料,這顆礦石喚起了大地,也將片中世界妝點了繽紛色彩,而動畫主角亦幻化成各種自然物象,悠遊穿梭於古代山水場景間。

This film is based on four Chinese painting masterpieces in the National Palace Museum’s collection: Emperor Ming-huang's Journey to Shu (Tang dynasty), Traveler’s Among Mountain’s and Streams (Northern Song dynasty), Ancient Temple in a Mountain Pass (Southern Song dynasty), Autumn Colors on the Ch'iao and Hua Mountains (Yuan dynasty). The film explores Chinese landscape painting’s capacity to be ambled within, gazed at, and abided in.
At the animation’s opening, a bird holds in its mouth a tiny azurite stone, which is typically found in pigments used by Chinese landscape painters. The stone awakens the earth and gives its creatures color.

#筆墨行旅 #故宮 #國寶
#書畫 #山水


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國立故宮博物院於一九二五年成立於北京紫禁城,也就是「故宮」名稱的由來。一九三一年為避戰禍,故宮文物開始於中國境內四處遷徙。一九四九年,由於國共內戰,國民政府將總數約六十萬件左右的故宮精品文物運到台灣,并曾暫置于桃園楊梅、台中霧峰北溝等地。直到一九六五年,始遷至台北士林外雙溪現址。 在台灣落地生根的五十多年歲月中,國立故宮博物院已發展成一座現代化的博物館,不僅持續提升硬體機能,同時也戮力於藏品徵集,目前總數已達六十七萬件之譜,為全球首屈一指的華夏文物典藏。近年來,全力推動數位典藏國家型科技計劃,透過先進的數位科技,讓故宮文物有了新穎的面貌,不僅在展示呈現上更為活潑,在發展文化創意產業上,也充分扮演了新世紀博物館創新價值的多元角色。 The National Palace Museum houses one of the largest collections of Chinese art in the world. With nearly 700,000 precious artifacts, the museum’s extensive collection spans thousands of years and consists of magnificent treasures from the Song, Yuan, Ming, and Qing imperial collections. In recent years, the National Palace Museum has dedicated itself to melding culture and technology, hoping to make its national treasures and remarkable cultural inheritance more accessible to people around the world.
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